他们比过去的表现更加自由奔放-Jonathan C 2018
A big takeaway from the July couture shows was the almost-shocking amount of daywear. If the most haute houses in the world are loosening up, you know it’s more than a passing trend. Blame it on athleisure, or maybe it’s just our increasingly busy lives, but there’s dwindling demand for ultra-fancy stuff. Jonathan Cohen is leaning more casual, too;
he launched his label with a tight edit of hand-drawn printed cocktail dresses in 2011, 劳保工作服合同but in recent seasons, he’s noticed his customers want to look a little less precious. So he’s experimenting wit彩条女装银行用工作服h freer, more conceptual prints and unfussy pieces that work for day and night.
For Spring ’18, his muse was the abstract expressionist painter Lee Krasner, one of the few female artists to have a retrospective at the Museum of Modern Art. She also happened to be married to Jackson Pollock. Who do you think got more glory? Even if Krasner will never have quit中国中车冬天工作服e the household recognition of her husband, her work greatly influenced his, and vice versa. Cohen’s mood board was covered in snapshots of her wild, colorful paintings, which he reinterpreted as a vibrant print for his classic flared A-line dress.
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His other prints were smaller and less splashy: a citron dress covered in black squiggly flowers, a quilted jacket in a print that mimicked hundreds of scraps of fabric.
Krasner herself might have liked Cohen’s white poplin cocktail separates; a photo of her in a shirtdress was tacked to his board as well. She had simple, classic tastes, but a bit of an eccentric streak, too. Cohen says his woman is similarly “elegant yet subversive.” Those modern-day Krasner types will appreciate the raw edges and ribbon ties on his new Victorian dresses, jackets, and lean trousers, too; they had more of a free-spirited, undone attitude than what he’s shown in 铁路信号工工作服the past.
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2017年/你与addet1起走过的第186天